The lowest point is the highest point in Washington National Opera’s new production of Beethoven’s “Fidelio.” Deep in Pizarro’s dungeon, a woebegone Florestan — powerfully sung by tenor Jamez McCorkle ...

Performances in N.Y.C. Memorable performances included a pair of Strauss operas, a suave villain, a star soprano in “Fidelio” and a new conductor in “Le Nozze di Figaro.” Credit...Metropolitan Opera ...

Not really: Norwegian soprano Lise Davidsen, who’s shown herself indispensable in roles from Tchaikovsky’s QUEEN OF SPADES to Strauss’s ARIADNE AUF NAXOS starts her maternity leave at the end of her ...

Tara Faircloth explains how themes of Beethoven’s “Fidelio” transcend time.

If “operatic” is a synonym for “big,” Herman Melville’s sprawling novel “Moby-Dick” should be ideal source material for the stage. Jake Heggie’s 2010 operatic treatment certainly took up a lot of ...

It is the Metropolitan Opera’s job, some of us think, to gather the best singers in the world, in the roles that suit them. I thought of this last night when the Met revived Fidelio, Beethoven’s opera ...

Garsington’s airy and luminous opera pavilion challenges any interpreter of a work so filled – dramatically and musically – with the subterranean darkness of buildings, of institutions, and of the ...

Performances in N.Y.C. Advertisement Supported by Critic’s Pick The Met, a magnet for star singers, flexed its muscles to stack the cast of Beethoven’s only opera, with Lise Davidsen in the title role ...

Beethoven’s “Fidelio,” a timeless monument to love, life, and liberty, will be shown March 15 at the O’Shaughnessy Center in Whitefish as part of The Met: Live in HD program. Sung in German with ...