As mystifying as his 2004 sci-fier, "Primer," albeit for entirely different reasons, Shane Carruth's "Upstream Color" is a stimulating and hypnotic piece of experimental filmmaking. “Primer” fans and ...

Planning a movie night with 'Upstream Color' right from your couch? Here are ways to watch including rental, purchase, and subscription options, so you can pick what works best for you. As of now in ...

“Upstream Color” is as enigmatic as filmmaking gets — not in a casual way, but determinedly, even willfully. Being completely understood at first glance is not on creator Shane Carruth’s agenda, but ...

There's a thin line between what's truly mysterious and what's totally bogus. A movie that leaves you feeling unclear about what's happening isn't necessarily mysterious—it may just be inept. In other ...

Filmmaker Shane Carruth’s micro-budget breakthrough “Primer” was a dense, realistic time travel drama of the sort nobody had seen before. Judging by his long-awaited second feature, “Upstream Color,” ...

Premiering at the Sundance Film Festival a few months ago, Primer writer-director Shane Carruth delivered another divisive work of science-fiction with the mesmerizing Upstream Color. Having recently ...

"Upstream Color" is one of the year's most intriguing films. I don't normally review films that are out on video or On Demand, but I'm going to make an exception for "Upstream Color." This is a film ...

Rollo Tomasi is a Connecticut-based film critic, TV show critic, news, and editorial writer. He will have a MFA in Creative Writing from Columbia University in 2026. Rollo has written over 700 film, ...

When Shane Carruth’s Upstream Color premiered at the Sundance Film Festival in 2013, one of the only available promotional images for the film was a pitcher of ice water. The pitcher sat on a table ...

Nearly 10 years after shooting Primer (2004), Shane Carruth is finally back with Upstream Color, and it turns out the movie has been shot on the Panasonic GH2! Primer had been shot on Super16 for ...

Given that yesterday’s post occasioned some discussion about spoilers, a brief preamble to my review of Shane Carruth’s Upstream Color (A): If you want to preserve the experience of seeing the film ...

The Museum of Modern Art and the Film Society of Lincoln Center have jointly announced seven official selections for the 2013 New Directors/New Films Festival (ND/NF), which runs March 20–31, 2013.